From beginnings in Stuttgard, Frerk and Marc C. Woehr have developed a style bringing street art into a realm of off-balance darkness. The atmosphere of their collaborative work looks like the product of the Brothers Quay reshaping an urban environment and all the characters emerging from it. While their work has appeared in publications and galleries all over Europe, their first show in the US will kick off at LA’s Carmichael Gallery on July 9th. Also, check out some of the Woehr’s work alongside Shepard Fairey’s at Art Basel Miami.

Lee Memorial’s new album took me by surprise twice over. First off, I’ll admit that I can’t think of a single Australian act that struck me since I heard Yeo and the Fresh Goods last year. Secondly, a mellowed out acoustic sound with poetic lyrics is not style of music that often captivates beat snobs like myself. You may be familiar with Sodastream, a duo that’s dropped releases in this vein for a decade before breaking up. Half of that now-defunct band, Karl Smith, assembled a band with a decent resume and put together The Lives of Lee Memorial, possibly named for a hospital, is fraught with Smith’s mystifying whines layered together. If you doesn’t sound like your taste, you’re probably not sold, and you’ll just have to take my word for it. It’s not out for a couple of weeks, so you’ve got time to conduct your research.

Over the years, regular broadcast radio has become a touch authoratative. The system worked back before popular music was designed to be popular, but today we’re all pretty much presented with the same sugary garbage and expected to pick our favorites. Audiophiles seperate themselves from the pack by seeking out the most obscure sounds they can find, but for the regular person who still loves radio but wants to take back the airwaves, there’s Jelli. You don’t create your own customizable station, nor do you assemble a playlist yourself. Jelli is a musical democracy, with one playlist that’s decided by user voting. This idea brings back the influence of listeners on what’s actually popular. Take that major labels.

In the wake of Michael Jackson’s death, we’ve started to focus on the drama that still surrounds the singer – his will, the question of what to do with his non-biological children, why he suffered cardiac arrest, and so on. However, it is important not to forget that the reason we all loved the King of Pop is because of his talent as a singer, a dancer, and an all-around performer. The first time he first entered your home whether it was via MTV or through your stereo speakers, was not easy to forget…

At least it wasn’t for me. My first memory of the singer was when I watched the video for Thriller…at age three. All I remember was seeing those yellow eyes and fangs and running terrified behind the couch. It wasn’t a good first impression, though later, I fell in love with the short film. Not longer after, I was jamming out and dancing around the living room to “Beat It,” and “Wanna Be Startin’ Somethin’.” So, when I discovered the Thriller Headphones designed by Johnny Lighthands and built by ATOM Creative Solutions, I couldn’t help but smile.

The headphones, which won the Nokia headset design competition in 2008, feature that gravestones, zombies, and that creepy, yellow-eyed wolf bursting through the door. Though only one pair was made by Nokia into a working model, we hope that Jackson’s passing inspires Nokia to produce at least a limited-edition run of the freaky-awesome headphones.

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